Featured Films

34 South (South Africa)

2004, 144 min., directed by Maganthrie Pillay

Alex's Wedding (Cameroon)

2003, 45 min., directed by Jean-Marie Teno

Bamako (France, Mali, USA)

2006, 115 min., directed by Abderrahmane Sissako

Black Girl / La Noire De... (Senegal)

1966, 65 min., directed by Ousmane Sembène

Borom Sarret (Senegal)

1963, 19 min., directed by Ousmane Sembène

Colonial Misunderstanding / Le Malentendu Colonial (Cameroon)

2004, 73 min., directed by Jean-Marie Teno

Daratt / Dry Season (Chad)

2006, 95 min., directed by Mahamat-Saleh Haroun

Days of Glory / Indigènes (Algeria, Belgium, France, Morocco)

2006, 120 min., directed by Rachid Bouchareb

Devil Came on Horseback, The (Sudan, USA)

2007, 85 min., directed by Annie Sundberg and Ricki Stern

Ezra (Nigeria)

2007, 110 min., directed by Newton Aduaka

Guelwaar (Senegal)

1992, 115 min., directed by Ousmane Sembène

In the Shadow of Hollywood: Race Movies and the Birth of Black Cinema (USA)

2007, 58 min., directed by Brad Osborne

Kinshasa Palace (Democratic Republic of Congo, France)

2006, 75 min., directed by Zeka Laplain

Legend of the Sky Kingdom, The (Zimbabwe)

2003, 78 min., directed by Roger Hawkins

Lion Mountains, The : A Journey through Sierra Leone's History (Sierra Leone, UK)

2006, 54 min., directed by Louis Buckley

Masaï : The Rain Warriors (France, Kenya)

2005, 94 min., directed by Pascal Plisson

Moving to the Beat (Sierra Leone, USA)

2007, 52 min., directed by Caleb Heymann and Abdul Fofanah

Narrow Path, The (Nigeria)

2007, 93 min., directed by Tunde Kelani

Red Glasses, The (Ghana)

2004, 47 min., directed by Yinka Djin

Sweet Crude (Nigeria, USA)

2007, 100 min., directed by Sandy Cioffi

This Is Nollywood (Nigeria)

2007, 56 min., directed by Franco Sacchi

Under The Moonlight / Sous La Clarté De La Lune (Burkina Faso)

2004, 90 min., directed by Apolline Traoré

Wooden Camera, The (South Africa)

2003, 90 min., directed by Ntshavheni wa Luruli

Zanzibar Soccer Queens (Tanzania, UK)

2007, 87 min., directed by Florence Ayisi