{"id":2801,"date":"2014-12-20T12:45:09","date_gmt":"2014-12-20T20:45:09","guid":{"rendered":"http:\/\/2015.africanfilmfestival.org\/?p=2801"},"modified":"2014-12-20T12:45:09","modified_gmt":"2014-12-20T20:45:09","slug":"tilai-the-law","status":"publish","type":"post","link":"https:\/\/www.africanfilmfestival.org\/2015\/tilai-the-law\/","title":{"rendered":"TILAI \/ THE LAW"},"content":{"rendered":"<p><strong>Sunday Retrospective Series<\/strong><\/p>\n<p><strong>CFAF\u2019s Top 10 African Films<\/strong><\/p>\n<p>This stark and compelling film tells of Saga\u2019s return to his village and his tragic discovery that his fianc\u00e9e, Nogma, has married during his absence. The fact that her new husband is Saga\u2019s own father creates a conflict of oedipal proportions. Their continued love violates <em>tilai<\/em>, the village code of honor prohibiting incest. Winner of the 1990 Jury Grand Prize at the Cannes Film Festival and the 1991 Grand Prize at FESPACO.<\/p>\n<p>In Moor\u00e9 with English subtitles.<\/p>\n<p><em>Sponsored by EAI Information Systems<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Sunday Retrospective Series CFAF\u2019s Top 10 African Films This stark and compelling film tells of Saga\u2019s return to his village and his tragic discovery that his fianc\u00e9e, Nogma, has married during his absence. The fact that her new husband is Saga\u2019s own father creates a conflict of oedipal proportions. Their continued love violates tilai, the [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":2802,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[11],"tags":[],"class_list":["post-2801","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-burkina-faso"],"_links":{"self":[{"href":"https:\/\/www.africanfilmfestival.org\/2015\/wp-json\/wp\/v2\/posts\/2801","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.africanfilmfestival.org\/2015\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.africanfilmfestival.org\/2015\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.africanfilmfestival.org\/2015\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.africanfilmfestival.org\/2015\/wp-json\/wp\/v2\/comments?post=2801"}],"version-history":[{"count":1,"href":"https:\/\/www.africanfilmfestival.org\/2015\/wp-json\/wp\/v2\/posts\/2801\/revisions"}],"predecessor-version":[{"id":2803,"href":"https:\/\/www.africanfilmfestival.org\/2015\/wp-json\/wp\/v2\/posts\/2801\/revisions\/2803"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.africanfilmfestival.org\/2015\/wp-json\/wp\/v2\/media\/2802"}],"wp:attachment":[{"href":"https:\/\/www.africanfilmfestival.org\/2015\/wp-json\/wp\/v2\/media?parent=2801"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.africanfilmfestival.org\/2015\/wp-json\/wp\/v2\/categories?post=2801"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.africanfilmfestival.org\/2015\/wp-json\/wp\/v2\/tags?post=2801"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}